Friday, February 29, 2008

Steve Whitaker's Funeral

Steve In Nottingham, November 2005

Dear Friends of Steve Whitaker,

Here are the details of Steve's funeral:

3.15pm
Wednesday 12th March

Bedford Crematorium
104 Norse Road,
Bedford,
Bedfordshire,
MK41 0RL

Telephone: 01234 353701

(See bottom of post for map)

Hopefully we'll be able to have a drink to Steve's
memory and celebrate his life afterwards. Probably
either at The Park Hotel or The Duke of Wellington
pub. Details to follow when confirmed.

Very best wishes to all,

Fiona Jerome, Matt Brooker & Martin Hand
for Friends of Ol' Steve



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Friday, February 22, 2008

Steve Whitaker RIP

Steve Whitaker

I've just heard that Steve Whitaker died suddenly and unexpectedly this morning (Friday 22nd February). It seems that he had been feeling unwell and decided to take a taxi to his doctors. He collapsed in the taxi, was resuscitated by his doctor but died later at hospital.

Anyone who was around the London comics scene in the 80's and early 90's will remember Steve; at 6ft 4in he was hard to miss in his trademark long dark overcoat. He was a world-class colourist who will probably be remembered professionally for his work on the DC Comics edition of V for Vendetta, but he was far more than that; a brilliant draughtsman, painter, teacher and historian of comics, raconteur and ace punster. He was also my best mate.

He will be sorely missed by his many friends.

If you don't know Steve's work, check out his LiveJournal account stickismyfriend, or his Flickr account, Diplodocus Peacock.

There are two "Collective memory" websites devoted to Steve:
http://community.livejournal.com/jellytown/
http://www.flickr.com/groups/steemol/

Further tributes to Steve from:

Nick Abadzis

John Freeman (downthetubes.net)

Martin Hand

Andrew Littlefield

Jenni Scott

(Thanks due to the anonymous reader who first posted these links in the comments)

Left: Steve by Steve



Thursday, February 21, 2008

Eagle Awards Nominations Shortlist

The shortlist for nominations for this year's Eagle awards has opened online, and while laying down some ticks for Bryan Talbot's tour de force Alice In Sunderland, I was startled to find that I've showed up several times, including Favourite Comics Artist: Inks and Favourite Colourist. Stickleback: Mother London is on the shortlist for Favourite Comics Story Published During 2007, and the online comics game Who Killed Round Robin?, to which I'm a minor contributor, is shortlisted for Favourite Web-Based Comic.

Ian Edginton, most deservedly, is on the shortlist for Favourite Comics Writer - so why not take a second to pop over to the Eagle Awards site and vote for us lots?

Not that these things mean anything, of course :-)

Tuesday, February 12, 2008

Steve Gerber RIP

Just heard the gutting news that Steve Gerber has died. For more details see this post by Mark Vanier on Steve's blog.

Howard the Duck is one of my all-time favourite comics, and had a profound influence on my development as a comic creator. I'd still rate Where Do You Go, What Do You Do, The Night After You Saved The Universe? as the best Marvel comic of the 1970's.

Monday, February 04, 2008

Stickleback England's Glory Part 7 References

Page 03 Wooden Indian
Wooden Indians have been a common sight cigar stores in the United States since the nineteenth century. In recent years they've become less popular due to increased sensitivity to racial issues.
When Ian came up with the idea of Buffalo Bill's circus crew being held under an enchantment (when the magic lifts, most of the performers and roustabouts are revealed to be zombies) he came up with the nifty idea of turning the Red Indian troupe - who in real life were employed re-enacting their defeat at the hands of the white man - into the white man's image of themselves.





Page 04 Annie's Skins
There is some debate about whether Europeans brought the practice of scalping to North America, or whether it was established already. It is accepted that white frontiersmen practiced scalping in the 18th and 19th centuries.
Annie's caravan, with its human pelt on the wall and racks of firearms, is a reminder that the settling of North America was not simply the claiming of an empty land by pioneers; it was the displacing of one population by another, and that was a bloody and unpleasant business.