Showing posts with label Prog. Show all posts
Showing posts with label Prog. Show all posts

Thursday, June 06, 2013

Stickleback: Number of the Beast at 2000AD Covers Uncovered

2000AD Prog 1835, the cover for the final episode of Stickleback: Number of the Beast.
Stickleback copyright Rebellion Developments Ltd/2000AD.
Stickleback Number of the Beast created by Ian Edginton and Me.

So, we come to the final curtain for this series of Stickleback - after such a long time away, I'm glad to see him back and set up for more adventures. Stickleback remains close to my heart - aside from the joy of working with me old mucker Ian Edginton, Stickleback is the first character I've helped create where we've got to go back and tell the continuing adventures. He represents a change of gear in my career.

To celebrate this landmark, I've got together with Pete Wells at 2000AD Covers Uncovered to put together a mammoth 3-part video post on the creation of this week's cover from first roughs to last TIFF file. It's packed with hints, tips and as much process porn as a body could want! Part one is up now!

Left: the original version of the cover with a white background.

Saturday, September 03, 2011

Lowlife: The Deal Part One - So What’s The Deal with Dirty Frank?

Dirty Frank in Uniform in part one of Lowlife: The Deal
Dirty Frank/Judge uniforms © 2011 Rebellion/2000AD
Judge uniforms created by Carlos Sanchez Ezquerra
Dirty Frank Created by Rob Williams and Henry Flint 
I’ll never be rich and here’s why; the big money in comics lies in drawing handsome muscular guys and cute muscular girls in Lycra, and that just nain’t my strong point, not nohow. Sure, I’ve drawn characters like Judge Dredd and Batman, but with questionable success; where I’m really at home is at the less glamorous and more outlandish end of the character spectrum. Think Lazarus Churchyard (depressed stinking plastic junkie), think Lament from Leviathan (sagging middle-aged bloke with drink problem), think Stickleback (venomous 70-year-old with atypical spine placement choices).

Think Dirty Frank.

Dirty Frank looking
surprisingly restrained
(From Lowlife: Hostile Takeover)
I was lucky to be offered the chance to draw Frank at a pivotal point in his career. In his previous solo appearances (drawn by the estimable Simon Coleby) he’d mostly been a bit of comic relief, a way of doing Lowlife as a palate-cleanser from the seediness and corruption of the Aimee Nixon stories. But my first series, Lowlife: Creation, delved into Frank’s back story, turning him from a lovable but rather stinky cartoon character into a more rounded personality, a man whose flights of madness sprang from a deep past trauma. As the tone darkened further in Lowlife: Hostile Takeover, I found myself working harder and harder to capture the different sides of a character who was a babbling street-bum one minute and a steely-hearted Mega-City Judge the next.

One effect of drawing this back story was that it subtly changed the way I drew the present-day Dirty Frank. My concept sketches for Frank were based very closely on Simon Coleby’s version, and my first episode reflects this; but as I thought more about the young, handsome Judge Frank we see in the flashbacks, the more I toned down the caricature elements; my Frank ends up quite good-looking under all that hair and grot.

Dirty Frank looking
unsurprisingly unrestrained
(From
Lowlife: Hostile Takeover)
With each new series I undertake, I try to find some area of my work to change, improve, or approach differently. This is partly for my own sanity (I’ve been drawing comics more-or-less six days a week for the past ten years, so I need some way of ringing the changes every now and again) but also as a bulwark against staleness, which creeps in unnoticed if you sink too deeply into comfortable habits. In the case of Lowlife: Creation, I made some radical changes to the way I constructed my figures at the preliminary drawing stage. This was part of a process that had started with me bringing the characters more to the fore in the first series of Stickleback.

By happy coincidence, this change to my basic drawing made it much easier for me to give the characters’ body language a greater range and subtlety. Put simply: their “acting” improved. When Rob Williams came back to me to do Lowlife: Hostile Takeover, I assumed it was for my big-scale portrayals of the city; I was happily shocked when he said what he most valued was the degree of expression I could get into the characters. From then on, I really started concentrating on character “performance” (years ago, when I was a tiny wannabee artist-thing, Gary Leach once told me that a comic artist is the director, cameraman and entire cast of a movie all rolled into one; I’ve thought of drawing character expression as “acting” ever since). I think Hostile Takeover contains some of my best “acting” to date.

This new series provides new challenges. We start with Frank back in uniform - cleaned up, hair trimmed, stooped straightened to the best of his ability; wild behaviour reined in, so no extreme expressions. Finding a way to hold on to the essential “Frank-ness” with most of his props gone made this one a fascinating episode to draw. I don’t suppose it’s too much of a spoiler to say we’ll soon be dirtying Frank up again - though the new Frank won’t quite look the same as the old one…

Frank's Long Walk parade is supervised by Judge Lola, from the
 Judge Dredd time traveller stories I did with Ian Edginton.

Lowlife/Judge uniforms/Judge Lola © 2011 Rebellion/2000AD
Judge uniforms created by Carlos Sanchez Ezquerra
Lowlife created by Rob Williams and Henry Flint
Judge Lola created by Ian Edginton & Me 

Wednesday, February 28, 2007

Ego Scan Complete

From A History Of 2000AD in Five Pages by Robin Smith (plus sampled artists)
2000AD Prog 1526 (30th Anniversary Special)
Copyright © 2007 Rebellion/2000AD

Prog 1526, marking 2000AD's 30th anniversary, somehow didn't seem quite the big production I'd expected, despite containing some lovely Ian Gibson Dredd and the welcome return of Simon Fraser to Nikolai Dante.

There was, it's true, a certain amount in there for the nostalgic; a Flesh prequel by original team Pat Mills and Ramon Sola, plus a welcome nod to 2000AD's dafter days with a Tharg strip, entitled A History of 2000AD in Five Pages. Of course, it's possible I find it so welcome because both Ian and I get a name check on the last page (under "new" talent). I can't help thinking it's ironic that a strip that celebrates the creators who made the comic great contains so may uncredited scans of said creators' art... though I suppose there's an argument that if they had tried to credit everyone, the credit box would have taken up more space than the story...

Monday, February 19, 2007

Stickleback Cover

Back from my travels to be greeted by 2000AD Prog 1525, bearing my Stickleback cover and the last part of Mother London. Despite a few minor surprises at the interior repro, I'm relieved at how well it's turned out; aside from the fact that it must be a bugger to print, that last episode was done in such a rush that I've no idea what the heck I was drawing towards the end.

They've put a nice, subtle cyanotype-type tint on the cover image (which was done black & white like the interiors). At some point, I'll have to have a go at translating this technique into colour...

I'll sort out references for the last episode in the next day or so.