Showing posts with label D'Israeli. Show all posts
Showing posts with label D'Israeli. Show all posts

Thursday, June 06, 2013

Stickleback: Number of the Beast at 2000AD Covers Uncovered

2000AD Prog 1835, the cover for the final episode of Stickleback: Number of the Beast.
Stickleback copyright Rebellion Developments Ltd/2000AD.
Stickleback Number of the Beast created by Ian Edginton and Me.

So, we come to the final curtain for this series of Stickleback - after such a long time away, I'm glad to see him back and set up for more adventures. Stickleback remains close to my heart - aside from the joy of working with me old mucker Ian Edginton, Stickleback is the first character I've helped create where we've got to go back and tell the continuing adventures. He represents a change of gear in my career.

To celebrate this landmark, I've got together with Pete Wells at 2000AD Covers Uncovered to put together a mammoth 3-part video post on the creation of this week's cover from first roughs to last TIFF file. It's packed with hints, tips and as much process porn as a body could want! Part one is up now!

Left: the original version of the cover with a white background.

Thursday, April 11, 2013

Stickleback: Number of the Beast Part Three References

Something's brewing down in the depths
Stickleback Number of the Beast copyright Rebellion Developments Ltd/2000AD.
Stickleback Number of the Beast created by Ian Edginton and Me

Page 1


 Panel 2: “My five days” 

Stickleback has an arrangement with the White Lotus Empress that he can visit his son on one day each year - he’s lost five years to his regeneration, hence he feels he’s owed five days.








Page 4



Panel 1: Lots of stuff here:


Wold-Newton Tours

In the fictional biographies Tarzan Alive (1972) and Doc Savage: His Apocalyptic Life (1973), writer Philip José Farmer introduced the Wold-Newton family tree, a genealogy that bound together all of the best-known characters from the pulp and speculative fiction of the late 19th and early 20th Century. The idea was that the bunch of extraordinary individuals all sprang from common ancestors who were affected by radiation from a meteorite during a coach tour to the village of Wold Newton in Yorkshire. The notion of characters from one fictional world “crossing over” into another was not new - it had occurred in pulp fiction and was commonplace if the world of comics - but was usually limited to characters owned by a single publishing house. Farmer not only cast his net wide across the popular fiction of a whole era, but he worked out complex rationalisations to allow these sometimes-conflicting continuities to exist all in the same world. Farmer himself produced only a few novels depending on the Wold-Newton continuity, the most notable being his insanely pornographic “Doc Savage meets Tarzan” novel A Feast Unknown. In the UK, writer Kim Newman took up the baton with his novel Anno Dracula and its sequels, and in this century writer Alan Moore and artist Kev O’Neill brought the genre back to comics with the League of Extraodinary Gentlemen. Ian and I are manfully following in all these fine gentlemens’ footsteps.


The Lord Talbot

A tribute to writer/artist Bryan Talbot, whose The Adventures of Luther Arkwright (1980-84) lays claim to being the first British graphic novel, and also possibly the first example in comics of the genre that would become known as steampunk.
Bryan also drew the bulk of the first-ever steampunk story in 2000AD, Nemesis the Warlock Book IV: The Gothic Empire (1984, written by Pat Mills, first episode drawn by Kevin O'Neill.)






Adam Ant and Adam Adamant

1980’s pop idol Adam Ant as The Dandy Highwayman*, walking alliteratively beside Adam Adamant, the swashbuckling Victorian adventurer played by Gerald Harper in the 1966 BBC TV series Adam Adamant Lives! Presumably this encounter occurs before Adamant’s nasty hibernation accident.

*Initially I was going to miss this one out, as for some reason I felt too scared to mention him.





Trotter’s Independent Trading

Run by the forebears of Del-boy and Rodney from the popular BBC TV sitcom Only Fools and Horses (1981-91). Items on the stall (including a chandelier and a Batman mask) refer to famous incidents from the series.








Kim Newman with Kate Reid and Genevieve Dieudone

Writer Kim Newman, whose ingenious re-combinings of characters and setting from popular culture have provided inspiration for both Stickleback and Scarlet Traces, promenades with two of his most famous female characters.








Eckert’s Alternatives

Over the years I've slipped in various references to odd or fictional comestibles into my strips; fishpaste is the obvious one, also Zopto-Bemsol ("Effulgent and Prim!") and Mongue ("You know it's wrong!"). Eckert's Alternatives ("Good for a change!") are Ian's contribution to this noble tradition, his first since Captain MacLean's Old Rot Gut made its debut in Leviathan ten years ago.



Page 5


Panel 2: The Vaults (Piranesi)

The underground vaults in which the Sorrys lurk are directly inspired by the Carceri d'invenzione ('Imaginary Prisons’) of artist Giovanni Battista Piranesi (1720-1778). This series of 16 prints, first published in 1750, consist of black & white etchings of vast, vaulted underground spaces, and have been claimed as an influence by both the Romantics and the Surrealists. Given how wonderful the Carceri are, it surprises me to note that I haven’t ripped them off more often ; the last time was when completing the final section of Scarlet Traces back in 2002.

Friday, March 29, 2013

Stickleback: Number of the Beast Part Two References


Pages 1 & 2

 
Pages 1 & 2 - Camera Obscura


Based on a real pre-photographic projection device, in which an image of the outside world is projected into a darkened room through a tiny pinhole (“camera obscura” is Italian for “dark room,” and is where the English word “camera” comes from.) Later versions employed a rotating turret containing a lens and mirrors which projected a circular image down onto a flat viewing table, as with our design, which is loosely based on the camera obscura on the Royal Mile in Edinburgh, round the corner from the flat where I was living while drawing the first series of Stickleback in 2006. 

The 3D projection aspect owes more to Star Wars than any real technology, though. It’s interesting that even retro-futuristic technology has to have this extra level to it now; I suspect ten years ago we might have limited the capabilities of such a devise precisely to show that we were in the past. I think of this as “super-duperness inflation.” 

Page 2


Page 2 Panels 1&2 - The Lost World

The original home of the Sorrys obviously draws inspiration from the dinosaur-filled plateau of Maple White Land from Sir Arthur Conan Doyle’s 1925 Professor Challenger novel The Lost World. Our Professor Challenger is based loosely on actor, explorer and national institution Brian Blessed, whose real life exploits were inspired by the character, and who played a parody of him, Sir Basil Champion, in BBC Radio 4 Extra’s The Scarifyers.

Project Gutenburg free ebook download: The Lost World.



 
Page 2 Panel 6 - Factory Farming

While obviously playing on modern anxieties about the factory farming of animals (chickens in particular), the batch breeding of a sentient but compliant workforce also has echoes of Aldous Huxley’s 1931 social parody, Brave New World.

Read Brave New World online.





Page 4


Page 4 Panel 1 - Oriental Tropes

This panel was an absolute bitch to draw; there are as many references dumped in here as the next two episodes put together. Also, due to my limited talent at producing likenesses, there’d be no reason to recognize most of them without this handy-dandy guide. From left to right:

Li H’sen Chang and Mister Sin from the 1977 Tom Baker-era Dr. Who story The Talons of Weng Chiang (itself a play upon Sax Rohmer’s Fu Manchu stories). 

The Three Storms versus a Victorian-ified version of Kurt Russell’s Jack Burton from John Landis’ Big Trouble in Little China (1986).

(Background) O-Ren Ishii and her bodyguards, the Crazy 88’s (their costumes a reference to Bruce Lee’s costume in the television series The Green Hornet), from Quentin Tarantino’s 2003 gore-fest Kill Bill.

(Midground) John Carradine twice, once as Kwai Chang Kaine from the 1972 television series Kung Fu, and once as Bill from Kill Bill.

(Foreground) Lone Wolf and Cub, from the Manga of the same name (Japanese: Kozure Ōkami) by Kazuo Koike. A total of seven live action Lone Wolf and Cub films were made in Japan during the 1970's, two of which were cut together to make the English-dubbed Shogun Assassin (1980).



Page 4 Panel 2 - Sonny Chiba

The multi-skilled Japanese actor here reprising his role from Kill Bill, this time making Sushi from a baby Cthulhu (therefore referring obliquily to Stickleback: England’s Glory.)






 
Page 4 Panel 4 onwards - Miss Scarlet’s Make-Over

Miss Scarlet has always been woefully under-used (the penalty of a large ensemble cast is finding them all something to do) but with this new series Ian was determined to bring her to the fore and give her more to do. Her new, orientalised look gave us the chance to give her a more modern, “flapper”-style vibe, suggesting someone looking towards the 1920’s and 30’s rather than back to the Victorian Era. For myself, I kept in mind Shanghai Lil from Hugo Pratt’s wonderful Corto Maltese in Siberia when drawing her.



Page 5

Page 5 Panel 2 - The Court of the White Lotus Empress

Introduced in the last episode of Stickleback: England’s Glory, the Empress is a female analogue for Sax Rohmer’s Fu Manchu. A detailed breakdown of the characters in the Lotus Empress’s court can be found here.

Wednesday, March 20, 2013

Stickleback Number of the Beast: 2000AD Prog 1824 Cover



The new Stickleback steps out of his tank on the cover of 2000AD Prog 1824.
Stickleback Number of the Beast copyright Rebellion Developments Ltd/2000AD.
Stickleback created by Ian Edginton and Me
2000AD Prog 1824 see the start of our new Stickleback story, Number of the Beast, and sports a cover featuring the new Pope of Crime himself! Pete Wells at 2000AD Covers Uncovered has kindly hosted a step-by-step demo of the making of said cover, including a short video segment showing exactly how I produce  those texture effects. Check out the demo here. 

Tuesday, November 27, 2012

Wraparound cover for 2000AD Prog 1811 - I had a real blast doing this
Lowlife Saudade copyright Rebellion Developments Ltd/2000AD.
Lowlife created by Rob Williams and Henry Flint 
I've been getting a lot of positive feedback about the big wraparound cover for this week's Prog (1811). If you'd like to know a bit more, Pete Wells has kindly hosted a full step-by-step demo showing how the cover was done on his excellent 2000AD Covers Uncovered blog.

Friday, November 19, 2010

Thought Bubble Art

Me with Thought Bubble Art

Andy Diggle's and my strip for the Thought Bubble auction this Saturday. Sorry for the yawnies - it was after midnight by the time I got it done.

Alongside my first-ever collaboration with Ian Edginton, God's Little Acre*, the joint-biggest comic artwork I've ever produced, and definitely the largest in colour. Also, the first comic I've drawn in years without the aid of a page grid!

*Reprinted in Kingdom of the Wicked.

Friday, August 13, 2010

D'Website of 'Israeli Go Bye-bye

The official D'Israeli website has lain neglected for several years since my web-based activity moved over to D'Blog, so this year I've decided to let the disraeli-demon.com domain expire.

Since I do still get emails from people saying they find information on the site useful (especially the stuff about colouring in Photoshop) I'm putting an archive of D'Website up on http://homepage.mac.com/matt_brooker/Sites/dizzy/index.html.

Be warned, the navigation on the site is a bit odd, and the mail link goes to a dead address. I can't fix any of this for the rather lame reason that I don't have an HTML editor right now, and my web-fu isn't up to editing pages without a WYSIWIG app.

Thursday, April 22, 2010

Cofix Event Tonight!


Just a reminder to comics fans in and around Thessaloniki that I'll be doing a talk followed by a signing and sketching session at the Cofix Bar from 8pm tonight. The event accompanies my exhibition at CoFix. All prints from the exhibition are available for sale.


CoFix Bar, Lori Margariti 11 Thessaloniki
Tel: 2310 250011

Thursday, April 08, 2010

Bristol 2010



Sadly, I won't be attending Bristol International Comics & Small Press Expo 2010 because I'll still be out in Greece all through May.

Good luck with the Bristol show and I hope everyone has a great time.