Inspired by childhood visits to the two-storey River Don Engine at Kelham Island Industrial Museum in my native Sheffield.
Hands up; we're riffing on the spider-style machines from Scarlet Traces with some of this stuff.
Ian's instructions regarding the Countess's body language in this sequence was "I see her as going a bit Gloria Swanson, all silent movie arm movements and the like!" It made sense to make her body language big and bold, in the style of the more expressive silent film actors, since her masked face couldn't show expression.
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